The Row Small Bags and Crossbody Styles: A Detailed Guide

Big, quiet leather holdalls are what The Row is best known for, although the design thinking comes through most clearly in the very compact pieces. A small format offers no cover: on a crossbody or a clutch proportion, closure and leather each have to stand on their own terms, with nothing else to lean on. Here is a row bags overview of the small end of the collection, addressing crossbody styles, compact shoulder bags, pouches and clutches. Each figure is an observed 2026 market price recorded in September of that year; none of it is an official price list, since the brand publishes none. If a piece is confirmed Made in Italy on the brand’s own product page, the guide says so; nothing is assumed. Bags only, with ready-to-wear and footwear kept aside.

What Constitutes a Small Bag in This Line

Because The Row bags have no exterior logo plaque and no monogram print, a small one is recognised on silhouette, proportion and construction alone. One discreet exterior stamp sits low on the side and disappears into the leather; another waits inside. Palladium-plated hardware in a matte or brushed ysl tote bags finish does the job through weight and precision rather than any shine. Linings are treated as luxury materials in their own right: nappa, lambskin, calfskin and cotton herringbone show up where other houses print logo jacquard. You can ignore those decisions on a large tote; on a clutch the size of a paperback there is little else to see. That is why the small pieces work as the clearest introduction to what the label does with leather.

• No exterior plaques, branded hardware or monogram print
• Silhouette, proportion and construction do the identifying
• A discreet exterior stamp and a second interior stamp
• Palladium-plated hardware in a matte or brushed finish
• Linings worked in nappa, lambskin, calfskin or cotton herringbone

Inside the Crossbody Group

Crossbody styles represent the most practical corner of the collection and, on observed 2026 prices, one of its most accessible. The band runs from roughly $1,290 to $2,550, so the entry point sits under almost every top-handle style in the range. Naming follows the house convention of orientation prefixes, so N/S and E/W separate upright versions from wide ones within a single idea. The Park family sits partly inside this group, since it consists of the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody. Calfskin in smooth, grained and saddle finishes makes up the materials, and the fittings are palladium-plated throughout. Because not one carries visible branding, buyers use them as daily bags rather than occasion pieces.

N/S Park Crossbody and Rene Crossbody

Observed at $1,290, the N/S Park Crossbody is the smallest way into the Park family without going to a tote. The same flat, unstructured logic as the rest of the family, just scaled down to be worn against the body rather than carried in the hand. Anyone who already owns a The Row tote bag from that line will spot the same construction language, just at a fraction of the volume. Observed at $1,350, the Rene Crossbody sits a step above. The pair sits inside the entry band the collection keeps at its lowest end, roughly $590 to $1,500. For a first row bag, this pair is where the smallest outlay coincides with the fullest expression of the house style.

The Izzy, the Annie and the Large Slouchy Banana

Across its orientations the Izzy was observed at $2,300 for the E/W Izzy and $2,490 for the N/S Izzy, with a Small Izzy shoulder version at $2,100. The N/S Annie Crossbody was observed at $1,950, landing between the entry crossbodies and the Izzy group. The Large Slouchy Banana was observed at $2,550, and the brand’s own product page confirms it as Made in Italy. At the time of research that page was showing waitlist availability rather than open stock, which is unremarkable for the label. Taken together the three lines cover the top half of the crossbody range, with a noticeable rise in structure and leather weight. These are also the pieces most often compared with small shoulder bags rather than with each other.

Small Shoulder Bags: Half Moon and the 90’s Bag

Two of the four signature models live at this small scale, which says how seriously the label treats the format. Observed at $1,390, with a leather variant seen at $1,690 at a stockist, the Half Moon is confirmed Made in Italy. Its published dimensions are 8 x 13.5 x 2.5 inches, though sources disagree on the exact figures, so treat that as the official reading rather than a settled measurement. At an observed $1,090 the 90’s Bag is the least expensive of the four signatures, with the 90’s Shoulder version at $1,450. Curve and drape, not hardware, supply both of them their identity. Between them they are the cheapest genuine entry into the top row bags by silhouette rather than by category.

Clutches, Pouches and Evening Pieces

The clutch group is where construction detail shows most, and the Bourse Clutch makes the clearest case. Observed at $1,590 and confirmed Made in Italy, it combines a calfskin exterior with a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. Further up, the Peggy Clutch was observed at $2,900 and the Dalia Baguette at $2,700; the Squared Compact Clutch came in level with the Half Moon at $1,390. Evening formats climb further, with the CC Minaudiere at $2,780 and the Long CC Minaudiere at $3,800. Another Made in Italy piece, Terrasse To-Go, was observed at $1,950 and sits between clutch and small bag. Below all of them sit the pouches and small leather goods, where the Ray Pouch was seen at $950 and $1,100, the Travel Pouch at $990, Sally at $1,000, the Cecily Mini Tote at $950, the Mini Barn Tote at $1,200 and the Double Travel Wallet at $590.

Observed 2026 Market Prices, at a Glance

The table collects the figures above into one view for comparison. Every number is an observed 2026 market price, not a published official price list, and the brand issues none. Prices at retailers can differ from the brand’s own site, while currency, season and stock each move the number. If a row carries two prices, that is either two versions or two sizes observed at the same time. Read it as a snapshot of where each piece sat relative to the others, and not as a quotation. The relative ordering has proved more stable over time than the absolute numbers.

Resale Behaviour of the Small Bags

These resale figures are observed market behaviour, not investment advice; treat them as context, not as a case for buying. Brand-level value retention came to 97% in the Rebag CLAIR 2025 report, a first entry into that report’s unicorn tier of 85% and above, behind only Telfar, Hermes and Goyard. That report logged the Half Moon shoulder at 106% retention. By way of comparison across formats, that report gave the N/S Park Tote 146% and the Margaux Tote 107%. In a separate reading, the 90’s Bag is the riser of the group: eBay search volume was reported up around 55% year over year as of April 2025. Not everything behaves this way: canvas, nylon, sisal and seasonal colours discount on the secondary market, and the strength sits in black and neutral calfskin in the signature silhouettes.

Living With One of Them

No care protocol is issued by the brand, so treat the following as material-appropriate general guidance. Do not overfill a small bag, since the shape does the identifying work and a stretched gusset undoes it. Keep the leather out of direct sunlight, heat and rain, and store the piece in its dust bag, lightly stuffed, so it holds its form. For calfskin and grained finishes, buff with a soft dry cloth and use neutral conditioner sparingly. Because nappa and lambskin mark easily, use a dry cloth and steer clear of over-conditioning. On suede, a suede brush and nothing else: no cream, no wet wipes, no soap, no water-based cleaner, while raffia, canvas and silk or satin versions spot-clean but are the least serviceable of all.